The New American West: Photography in Conversation at Corso Como 10.

The New American West: Photography in Conversation at Corso Como 10.

Opening image: Maryam Eisler. Old Car Hoods, El Paso, Texas, USA, 2024

10 Corso Como_The New American West_Maryam Eisler, Hotel Paisano Signage at Dusk, Marfa, Texas, USA, 2024_Its-Interval

Maryam Eisler. Hotel Paisano Signage at Dusk, Marfa, Texas, USA, 2024

10 Corso Como_The New American West_Exhibition view ©Alessandro Saletta - DSL Studio
10-Corso-Como_The-New-American-West_Maryam-Eisler,-The-Texas,-Marfa,-Texas,-USA,-2024_Its-Interval

Maryam Eisler. The Texas, Marfa, Texas, USA, 2024

Presented as part of the Circuito Off programme of MIA Photo Fair BNP Paribas (March 19 – 22, 2026, at Superstudiopiù in Milan), the exhibition is co-curated by Alessio de’Navasques, Howard Greenberg, and Carrie Scott. Photography is positioned here as both document and projection. Contemporary works by Maryam Eisler and Alexei Riboud enter into dialogue with images by Edward Weston, Paul Strand, Diane Arbus, Esther Bubley, Mary Ellen Mark, Robert Adams, Joel Meyerowitz, Lee Friedlander, Wright Morris, Minor White, Allen Ginsberg, Wim Wenders and others.

10 Corso Como_The New American West_Joel Meyerowitz Los Angeles, California, 1976_Its-Interval

Joel Meyerowitz. Los Angeles, California, 1976

10 Corso Como_The New American West_Exhibition view ©Alessandro Saletta - DSL Studio
Wim Wenders Entire Family, Las Vegas, New Mexico, from the series, “Written in the West”, 1983_Its Interval
Wim Wenders. Entire Family, Las Vegas, New Mexico, from the series, “Written in the West”, 1983

Together, their work traces the West from the early twentieth century to today – revealing not a single story, but a layered and evolving idea shaped by ambition, displacement, beauty and contradiction.
At the heart of the project is the 2024 journey undertaken by Eisler and Riboud across Texas, New Mexico, Arizona, and Utah—a shared journey experienced independently. The two photographed the same territories without sharing images, producing radically different visual responses. Eisler’s work is cinematic, intuitive, and psychologically charged; Riboud’s is essential, architectural, and contemplative.

10 Corso Como_The New American West_Edward Weston Dunes, Oceano, 1936_Its-Interval

Edward Weston. Dunes, Oceano, 1936

10 Corso Como_The New American West_Exhibition view ©Alessandro Saletta - DSL Studio_Its-Interval
10 Corso Como_The New American West_Alexei Riboud Central El Paso. El Paso, Texas, USA, 2024_Its-Interval

Alexei Riboud. Central El Paso. El Paso, Texas, USA, 2024

Without overt political declaration, The New American West reflects on the enduring promise once attached to the frontier – freedom, opportunity and reinvention – while acknowledging the exclusions and hardships embedded within those ideals. Through photography, these tensions remain visible, open to reflection and re-seeing.

10 Corso Como_The New American West_Alexei Riboud Car wreck, Shafter Ghost Town, Texas, USA, 2024_Its-Interval

Alexei Riboud. Car wreck, Shafter Ghost Town, Texas, USA, 2024

10 Corso Como_The New American West_Exhibition view ©Alessandro Saletta - DSL Studio
10 Corso Como_The New American West_Esther Bubley At the local amateur rodeo, Tomball, Texas, April 1945_Its-Interval

Esther Bubley. At the local amateur rodeo, Tomball, Texas, April 1945

Exhibition highlights include works by: Ansel Adams, Robert Adams, Diane Arbus, Thomas Frederick Arndt, Esther Bubley, Mark Citret, John Collier, Bruce Davidson, Allen Ginsberg, William Gedney, Frank Gohlke, Lee Friedlander, Kenro Izu, Danny Lyon, Mary Ellen Mark, Ray K. Metzker, Joel Meyerowitz, Wright Morris, Arnold Newman, Arthur Rothsten, Peter Sekaer, Paul Strand, Edward Weston, Wim Wenders, Minor White, alongside new works by Maryam Eisler and Alexei Riboud.

10·Corso·Como Gallery
11.3 – 7.4.2026

Every day: 10.30am – 7.30pm

Free admission